Saturday, 31 December 2016
In an earlier post we discussed the conservatism, the limitations, of Brookner's musical references. I went to the Frankfurt Opera on Wednesday, to a performance of Gluck's Ezio, around which there are (as far as I know) no Brooknerian associations. All the same the evening was richly Brooknerian. One was surrounded by dressy mittel-Europeans; Brookner wouldn't have looked out of place. Oldsters in ancient finery; youngsters in smart bright trousers; neurasthenic young girls; glamorous couples; aunts, uncles, nephews, nieces, family and friends; velvets, brocades, necklaces, jewels, patent-leather shoes, fancy glasses, fancy scarves, and everywhere the decorous behaviour and measured tones of cultured leisured moneyed Germany.