The Brooknerian

‘Brookner’ was a thing to live up to, even for Anita Brookner, a formal elegance, a field of intelligence, which conditioned both her life and her art. An long, extraordinary review from Andrew O'Hagan in the LRB - see here . O'Hagan is the author of the very fine Caledonian Road , and on the BBC Radio 4 show Take Four Books he cited The Princess Casamassima as an influence. Brookner would have approved.

...now her account is closed the novels may be seen for what they are: a literary chronicle of life's journey from middle to old age... If this sounds unexpectedly Proustian in scope, it shows how ill-served she was by her detractors and the orthodoxies of the sales cycle. Andy Miller's review of the Brookner biography in this week's Spectator is the one I've been waiting for. It's no exaggeration to credit dedicated readers such as Andy Miller with the reassessment of Brookner's literary reputation in the decade since her death. I'd suggest it's the tireless curatorial and promotional work of Miller and other influential fans that permitted a biographer of Hermione Lee's stature to consider adding Anita Brookner to her list of illustrious subjects. Authors usually take a posthumous dip in popularity and visibility; some never recover. It took Henry James more than half a century to find his readership. That Brookner is now being taken so seriously,...

(But we noticed, we might rejoin.) We continue our selection of British reviews of the Brookner biography: see the Literary Review here . The cover is of interest too.

It is hardly surprising that even such an eminent life-writer as Lee might wonder whether Brookner would have given this book her blessing. Brookner was as secretive as a heron. The fine mystery of the writer, to quote Dickens on Shakespeare, must surely be left undisturbed. ー From an excellent review ( here ) by Laura Cumming in the Observer of Hermione Lee's forthcoming biography.

Is Brookner our contemporary? It might be a strange question to ask of a writer active so recently, whose last work of fiction was published in 2011. But even then there was less labelling, less ready codification of social and emotional malaise. In 2011 we heard talk of mental health less often, though not quite as infrequently as in 1981, when Brookner's first novel came out. Hermione Lee, Brookner's later biographer, offers an insightful, psychoanalytical review ( here ) of A Friend from England , one of Brookner's 1980s novels, inexplicably now out of print. Though the protagonist, Rachel, hasn't read Freud, 'Freud,' says Lee, 'would have wanted to read her': [S]he is an extreme case in the Brookner hospital, off in her own isolation ward. Time and again Brookner's characters worry the reader. Nominatively determined Herz, in The Next Big Thing , endures cardiac discomfort, but his visit to his GP baffles the harassed young doctor, with talk of F...

Announced this week, an event in September at Topping and Company, Bath: Hermione Lee discusses her upcoming biography of Anita Brookner. https://www.toppingbooks.co.uk/events/bath/hermione-lee/

 Part of Everyman's Library Contemporary Classics Series, to be published later in the year:

On the tenth anniversary of Anita Brookner's death, Hermione Lee gives an insightful portrait of the author (see here ). Professor Lee's forthcoming biography was an exercise in life-writing not without its difficulties: Brookner was an intensely private person who made away with most of her archive, kept her friends in separate compartments, and had secrets she never revealed.

The photograph, taken by Peter Campbell in 1982, featured on a cover of the London Review of Books in 1982. See an earlier Brooknerian post here . Peter Campbell's son tells the story of the photo's rediscovery here . The image, not previously in wide circulation online, shows Brookner in her mid-fifties in the early days of her second life as a novelist. She has published A Start in Life and Providence . Her hand-to-head pose, a go-to for portrait photographers, will become a signature. For Brookner it likely refers to Ingres's painting of Mme Moitessier in the National Gallery ( here ). Hermione Lee's biography of Anita Brookner will be published in September.

Clues as to Hermione Lee's approach as she begins the process of writing are to be found in the Bookseller . The proposal synopsis reads: Anita Brookner (1928–2016) is a seductive subject for a literary biography. She was a writer like no other, of stylish brilliance, wisdom, passion, sadness and irony, and she was a magnetic, witty and complex woman, at once well-known and private, candid and secretive, loved by many and close to very few. Her personal style, more French than English, was impeccably self-concealing; her attitude to life was both romantic and grimly realistic. The publisher adds: The richness of Brookner’s life, which in recent years has been occluded by a reputation of quiet and isolation, more than warrants another look. Her life was multifaceted, distinctly European, and offers tantalising mysteries.