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American Brookner

Why were some of Anita Brookner's novels published in the US with different titles? This seems at best a faintly disreputable practice, at worst an assault on the integrity of an already published text. I can think of other authors who have suffered the indignity, though it tends to be reserved for less thoroughgoingly literary writers (Agatha Christie, P. G. Wodehouse). Ivy Compton-Burnett's Manservant and Maidservant was, however, given the somewhat unwieldy US title Bullivant and the Lambs . I can't think of traffic in the opposite direction, but there are probably examples. Is it a case of US publishers asserting their authority? Or are there cultural or other reasons that certain titles 'work' in Britain but not in America? A Start in Life (UK) / The Debut (US) For a novel that references Balzac, The Debut  is an interesting alternative, echoing Balzac's  Un début dans la vie . A Misalliance (UK) / The Misalliance (US) Do Americans prefer t...

Brookner's Titles

Brookner's titles (and for this post American titles are also considered) are a mixed bag. Classically, novel titles referred to people and places ( Clarissa , The Small House at Allington ) or derived from quotations ( Pride and Prejudice , Far From the Madding Crowd ). References to themes and plot points ( Great Expectations , The Moonstone ) were less common. More figurative titles crept in after James. Names Lewis Percy (1989) Dolly (1993) Places Hotel du Lac (1984) A Friend from England (1987) Incidents in the Rue Laugier (1995) The Bay of Angels (2001) 'At the Hairdresser's' (2011) Quotations A Start in Life / The Debut (1981) (Cf. Balzac's novel of the same name) A Misalliance (1986) (Cf. Maupassant's 'Mesalliance') Brief Lives (1990) A Closed Eye (1991) A Family Romance (1993) Falling Slowly (1998) Abstract nouns Providence (1982) Fraud (1992) Plural nouns Latecomers (1988) Visitors (1997) Strangers (2009...