The Brooknerian

About thirty years ago I worked in a library and was not a reader of Trollope. But, shelving, I grew familiar with titles. Our Trollopes seduced me with their covers, their titles, their quantity. Most were World's Classics editions, and years later I have assembled my own collection: I read Trollope over many years. I read the Barsetshire series haphazardly, retaining an impression lacking in detail. Barchester Pilgrimage (1935) is the work of a man of much more detailed (though not always accurate) Trollopian knowledge, Ronald A Knox, a well-known man of letters in his time, a Catholic priest, and the subject of a biography by Evelyn Waugh. It's essentially 'fan fiction'. Knox takes the characters from Trollope's novels and depicts their lives and those of their descendants in the later Victorian age and into the twentieth century. The book comprises six longish short stories: 'The Loves of Johnny Bold', a hobbledehoy's progress, is a lo...

…remembering that when FIELDING described Newgate, the prison immediately ceased to exist; that when SMOLLETT took Roderick Random to Bath, that city instantly sank into the earth ; that when SCOTT exercised his genius on Whitefriars, it incontinently glided into the Thames ; that an ancient place called Windsor was entirely destroyed in the reign of Queen Elizabeth by two Merry Wives of that town, acting under the direction of a person of the name of SHAKESPEARE; and that MR POPE, after having at a great expense completed his grotto at Twickenham, incautiously reduced it to ashes by writing a poem upon it… Preface (1850) to Oliver Twist My father had left a small collection of books in a little room upstairs, to which I had access (for it adjoined my own) and which nobody else in our house ever troubled. From that blessed little room, Roderick Random, Peregrine Pickle, Humphrey Clinker, Tom Jones, the Vicar of Wakefield, Don Quixote, Gil Blas, and Robinson Crusoe, came out, a gl...

'Thank Heaven upon your knees, dear lady,' cried the girl, 'that you had friends to care for and keep you in your childhood, and that you were never in the midst of cold and hunger, and riot and drunkenness, and - and something worse than all - as I have been from my cradle; I may use the word, for the alley and the gutter were mine, as they will be my deathbed.' Further to the previous post: Dickens comes to some kind of specificity late in Oliver Twist in Nancy's conversation with Rose, though the confession is coded. It is only outside the text, in his introduction to the third edition of the novel, speaking perhaps in a different voice, that Dickens throws caution to the wind: ...Sikes is a thief, and Fagin a receiver of stolen goods ... the boys are pick-pockets, and the girl is a prostitute. But that was in 1841. Fast-forward a few Victorian decades to the edition of 1867, and we find those lines omitted from Dickens's intro. It would be left to the ...

'Bill Sikes and the prostitute Nancy', reads the blurb of the current Penguin edition of Oliver Twist , promising spice that isn't quite warranted. Dickens's text is altogether less specific - indeed not specific at all. The most we hear is that Nancy has been groomed by Fagin into a life of thieving, like the Artful Dodger, from a young age. And George Cruikshank's famous illustrations present her as a somewhat homely figure, certainly older than she is suggested to be in the novel. David Lodge has marvelled at Dickens's capacity to avoid in his writings any mention of the sexual life; and the question of Dickens's own illicit experiences in London and elsewhere have puzzled biographers, though Claire Tomalin's book about Nelly Ternan dredges up a letter to a friend, a letter in which Dickens speaks of 'conveniences of all kinds at Margate (do you take me?) And I know where they live'.

The serial publications of Dickens's very early novels  The Pickwick Papers and Oliver Twist overlapped, confounding some readers. The easy geniality of the former was at odds with the harshness and cynicism of the latter much shorter, less expansive novel. 'It's all among Workhouses, and Coffin Makers, and Pickpockets ... I don't like those things; I wish to avoid them,' commented Lord Melbourne, the prime minister. I haven't read Pickwick for some years, but I remember a happy time. A heavenly Christmas episode stays in my mind. I marked it down as a reread for future times of strife; I've had need of it since, but somehow haven't returned. Oliver Twist is indeed rather relentlessly bleak and dispiriting - and therefore, perhaps, unDickensian - but one seems to reach an interlude at the beginning of the second Book, when Mr Bumble visits the appalling Mrs Corney, the workhouse matron. The tone shifts throughout the scene, starting with Bumbl...

The Picture of Dorian Gray Some people never write negative reviews. It is their policy. They tactically ignore the offending book, or damn it with faint praise, or try to like it, or... There's probably an epigram in there somewhere. Oscar Wilde would have turned a pretty phrase, as he does tirelessly and tiresomely in The Picture of Dorian Gray . Lord Henry shrugged his shoulders. “My dear fellow, mediæval art is charming, but mediæval emotions are out of date. One can use them in fiction, of course. But then the only things that one can use in fiction are the things that one has ceased to use in fact. Believe me, no civilised man ever regrets a pleasure, and no uncivilised man ever knows what a pleasure is.” (Ch. 6) Ignore the rhetorical dazzle - of specious value at the best of times - and consider the meaning, which is where Wilde's epigrams come a cropper. Their meanings are either facile or confused. But he keeps on trying. More, he thinks, means more. More chance...