Tuesday, 6 December 2016

Lewis, Lizzie, Jane, Maffy and Dorothea

He seemed to be writing it in a life parallel to the real life he lived with his wife ... Sometimes he felt himself to be more truly authentic when contemplating a shift in the fortunes of a fictional character than when talking to Tissy...

Lewis Percy, Ch. 8

This was surely the stuff of fiction? A strong plot, unusual characters, a threatened outcome: who could ask for worthier diversion? And she was, after all, an observer.

Visitors, Ch. 4

Now that the Brookner oeuvre is complete and we can view it as a whole, we begin to see new and interesting patterns in the carpet. Preceding posts reveal to me a minor theme she pursued during the middle part of her career. In Lewis, Lizzie, Jane and Maffy we see several kinds of young writer. In Dorothea May we see an old non-writer but also a woman living the same sort of life as her younger Brooknerland compatriots. The writing lives of Lewis (1989), Lizzie (1991), Jane (1993), Maffy (1995) and Dorothea (1997) are, one notes, neatly spaced over this middle period.

Or do I see congruence where none exists, a victim of the madness of art?


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