Skip to main content

Christmas in London

I live no more than a twenty-minute train ride from the centre, but now rarely visit. I was in Charing Cross Road on Saturday, and realised I hadn't been there for perhaps a whole year. The old Foyles has been razed to the ground. Its replacement is next door, and a sort of glorified Waterstones. Further down the street two or three secondhand shops remain. Henry Pordes is now run by Italians.

There are dearer, more specialist stores in Cecil Court, haunt of more than one character in Anita Brookner. Several dealers hold Brookner first editions, some of them signed. I like Cecil Court because of Mark Sullivan's antique shop, which always makes me think of the place the Prince and Charlotte Stant visit in The Golden Bowl.

I bought a little KPM figurine of an actor or brigand, or actor playing a brigand. Does anyone recognise this fellow, either as type or individual?


I returned to the bookshops, but could find nothing that appealed. I considered a volume of Lady Mary Wortley Montagu's letters, but would I really ever read it? I was attracted, in Foyles, by several of those new Fitzcarraldo editions. But I already have plenty of books to be read on my shelves. Or 'TBR', as I think it is called. Am I 'peak books'?

I'm actually nearing halfway through an old copy of Trollope's late novel John Caldigate at the moment. I've had it for years, but never got round to it. It's very good and very pacy. There's a brilliant sequence of chapters set on board a ship to Australia and then among the goldmines of New South Wales. Trollope was the most well-travelled of the Victorian novelists, and sometimes he takes us to places we never expected to see.


I finished in the National Portrait Gallery, at their exhibition of Gainsborough's family portraits. Gainsborough grew to disdain portraiture, but he was a master. A character views a society portrait in Berlin in Brookner's Latecomers, but the NPG's show focuses on paintings and sketches of the artist's immediate circle. Of particular strength are the half-dozen images of his daughters Mary and Margaret. The pair are painted at different stages through their childhood and young adulthood. Their later lives were not happy, taking in loneliness and mental illness, and inevitably one seeks signs in the earliest pictures of the dangers to come.

A very happy Christmas to you all!

Comments

Rosemary Kaye said…
And a belated happy Christmas to you too. I don't always get the time to comment on your posts, and I haven't read nearly as widely as you, but I do enjoy them very much and have learned a lot - and discovered new books - in the process. Thank you, I look forward with interest to another year of your thoughts.

I grew up a shortish train ride from Charing Cross and as a teenager used to frequent the bookshops often. The old Foyles wasn't always the best place to find a book really, but its eccentricity was worth the visit. I also liked the Stanfords map shop in ?piccadilly? (can't quite remember the location) - my family never went anywhere but I loved browsing the books about exotic places.

I too feel I may have reached peak books. But then I see something (usually in a charity shop) and have to 'rescue' it. Even this week, in the Red Cross shop in Aviemore, I could not bring myself to ignore good copies of Eve Garnett's Family From One End Street and Further Adventures of...' - favourites of my childhood. And for Christmas one of my daughters gave me a Folio edition of The Wind in the Willows (also from a charity shop apparently - not sure how anyone could have abandoned that.) The only other Folio edition I own is Barbara Pym's Excellent Women.

Have gone on too long so will stop now!

All good wishes for 2019.

The Brooknerian said…
Many best wishes for 2019. Just back from Germany. A mooch round the art museums and a couple of operas. Each to his own.

Popular posts from this blog

Top Ten Brookner

The much-loved Backlisted podcast ( here ) returns with a 'lockdown' episode that includes a lot of Anita Brookner talk. Prompted by discussion about  Hotel du Lac , never the most representative Brookner, the chat meanders pleasantly on to the potential for compiling an Anita Brookner 'Top Ten'. At a loose end myself, though this week at the chalkface entertaining the children of keyworkers, I considered the question myself. I'm sure there are similar such lists elsewhere on this blog - I forget, and I don't particularly want to consult them anyhow. Of course, Brookner - like Henry James, like Trollope, indeed like many prolific authors - passed through phases. Brookner's novels, I contend, fall into three, neatly divided by the decades she wrote in: the raw, vital 80s; the settled magisterial 90s; the bleak, experimental 2000s. A Brookner novel from the 80s seems very different from any of her final works - just as 'James I', 'James II' ...

'Proustian in scope'

...now her account is closed the novels may be seen for what they are: a literary chronicle of life's journey from middle to old age... If this sounds unexpectedly Proustian in scope, it shows how ill-served she was by her detractors and the orthodoxies of the sales cycle. Andy Miller's review of the Brookner biography in this week's Spectator is the one I've been waiting for. It's no exaggeration to credit dedicated readers such as Andy Miller with the reassessment of Brookner's literary reputation in the decade since her death. I'd suggest it's the tireless curatorial and promotional work of Miller and other influential fans that permitted a biographer of Hermione Lee's stature to consider adding Anita Brookner to her list of illustrious subjects. Authors usually take a posthumous dip in popularity and visibility; some never recover. It took Henry James more than half a century to find his readership. That Brookner is now being taken so seriously,...

A Thing to Live up to

‘Brookner’ was a thing to live up to, even for Anita Brookner, a formal elegance, a field of intelligence, which conditioned both her life and her art. An long, extraordinary review from Andrew O'Hagan in the LRB - see here . O'Hagan is the author of the very fine Caledonian Road , and on the BBC Radio 4 show Take Four Books he cited The Princess Casamassima as an influence. Brookner would have approved.

Brookner Biography Announced

A brief post to let Brooknerians know the moment has arrived: a biography commissioned by Chatto & Windus, to be written by Hermione Lee. Hermione Lee interviewed Brookner on television in the 80s. Brookner joins illustrious company. Lee has lifed, among others, Virginia Woolf and Edith Wharton.

Secretive as a Heron

It is hardly surprising that even such an eminent life-writer as Lee might wonder whether Brookner would have given this book her blessing. Brookner was as secretive as a heron. The fine mystery of the writer, to quote Dickens on Shakespeare, must surely be left undisturbed. ー From an excellent review ( here ) by Laura Cumming in the Observer of Hermione Lee's forthcoming biography.

Further Soundings #2

In a post a while back ( here ), I recalled pitching unsuccessfully a volume of Brookner's essays... *** Anita Brookner Mme de Blazac and I: Memoirs, Essays and Reviews 1981-2011 1.      ‘Mme de Blazac’, memoir, LRB , 19 June 1997 2.      On Abel Gance’s film Napoleon, film review, LRB , 16 April 1981 3.      ‘The Bibliotheque Nationale’, essay/memoir, TLS , 5 October 1984 4.      ‘The People and the Place’, review of Parisians by Graham Robb, Spectator , 10 April 2010 5.      ‘Repose is Taboo’d by Anxiety’, review of Migraine by Oliver Sacks, Spectator , 23 October 1993 6.      ‘Even Less Fiction than Stranger ’, review of Le Premier Homme by Albert Camus, Spectator , 14 May 1994 7.      ‘The Master of the Indirect’, review of Henry James: Collected Stories , Spectator , 11 Dec 1999 8.      ‘Sexual Tour...

Montagu Mansions

Series 5 of the BBC's A House through Time,  available on the iPlayer in the UK, features Montagu Mansions, home to Claire Pitt in Undue Influence. The first UK edition of the novel shows the location on the cover.

Christopher Hampton's Hotel du Lac

However often I watch it, I'm always surprised. A film of an Anita Brookner novel seems as outlandish as an adaptation of, say, late James. But The Golden Bowl and, more skilfully, The Wings of the Dove have been successfully translated to the screen in recent decades. Their plots, though, underneath the verbiage, are very simple, even sensational. Hotel du Lac , similarly, is one of Brookner's more structured, plotted works. Rights to the novel were bought before its Booker success. Initially Anita Brookner had been approached to write an original screenplay, but she said she wouldn't know how to. Instead she offered the soon-to-be published  Hotel du Lac . (This is revealed in the 2002 commentary that accompanies the DVD of the 1986 TV film. The commentary is a dull, low-powered affair. No Brookner, of course.) Anna Massey plays Edith. I've often found Massey a distractingly distinctive actor. Like Judi Dench she manages somehow, in any role, alwa...

'What I too fatally lacked was her tone.'

I've been listening to a couple of Brookner audiobooks. Joanna David's take on The Rules of Engagement is competent, and her middle-class tones suit the character of the novel's narrator. But there's a complacency to her reading, too cosy for a novel as dark and late as this. Diana Quick is the ideal reader of  Undue Influence . Her accent is RP, but less strident than David's. Quick's tone has a lowered, falling quality, appropriate for this sad novel. There's also a slight accent, not traceable, possibly just the effect of clipping. There are other actresses who display this: Eleanor Bron, say, or Siân Phillips. Quick's is an older woman's voice. Claire, the narrator of Undue Influence , is meant to be twenty-nine. Yet her storytelling always feels as if long in retrospect, though the novel is set in the modern day. This isn't the only example in Brookner of an unsettling freewheeling as to chronology. There's no evidence of Anita Brookner...