Skip to main content

Brooknerland Trip Advisor

Some obvious and not so obvious ideas for a winter break...

St-Sulpice, Paris
Paris is classic Brookner territory, but where to go? The rue Laugier? The old Bibliothèque Nationale, where a young Brookner was once the recipient of a magnificent bunch of flowers? The Luxembourg Gardens, to sit on an iron chair? The Crillon, where, according to Julian Barnes, Brookner was given a maid's room? No, head for the Latin Quarter and the church of St-Sulpice. Once inside, look carefully around the gloomy interior for Delacroix's Jacob and the Angel. It will help if you have a copy handy of Brookner's masterpiece, The Next Big Thing.

Hyde Park, London
Perhaps you want to re-enact Frances Hinton's nightmarish trek across the park and down the Edgware Road towards Maida Vale in Look at Me? Or, for brighter moments, you might wish to drive through the park, like Mrs May on that heady summer evening in Visitors? Hyde Park has it all. Poor Claire Pitt in Undue Influence even wonders whether she might spend an entire holiday there, emerging only for lunch and dinner.

Dijon, France
Provincial France is everywhere in Brookner, from the cathedrals in the north to the Bay of Angels in the south. Choose Dijon because it was there, at a rickety cafe table, that Jane Manning in A Family Romance first 'stealthily' began to write.

Baden-Baden, Germany
Referenced in A Start in Life, Falling Slowly and The Next Big Thing, Baden-Baden is pure mittel-European Brooknerland. Take a ride in a fiacre down the Lichtenthaler Allee to the Casino, where a band will play, or might have done once.

Vevey, Switzerland
The obvious, the essential choice. Spend a night at the Grand Hôtel du Lac. Visit Edith's room. Look out at the Dent d'Oche or, more likely, at a receding area of grey. Walk along the lake, admiring the cutlery.

Comments

  1. If you pick Dijon, let me know. I'm nearby, mosre or less.

    ReplyDelete
  2. Good to hear from you. I don't really know provincial France, but may visit one day. At the moment I'm tending more towards Mitteleuropa. Vienna at Christmas.

    ReplyDelete

Post a Comment

Questions and comments welcome. There will be a short moderation delay before publication. To message directly, email brooknerian@gmail.com

Popular posts from this blog

Top Ten Brookner

The much-loved Backlisted podcast ( here ) returns with a 'lockdown' episode that includes a lot of Anita Brookner talk. Prompted by discussion about  Hotel du Lac , never the most representative Brookner, the chat meanders pleasantly on to the potential for compiling an Anita Brookner 'Top Ten'. At a loose end myself, though this week at the chalkface entertaining the children of keyworkers, I considered the question myself. I'm sure there are similar such lists elsewhere on this blog - I forget, and I don't particularly want to consult them anyhow. Of course, Brookner - like Henry James, like Trollope, indeed like many prolific authors - passed through phases. Brookner's novels, I contend, fall into three, neatly divided by the decades she wrote in: the raw, vital 80s; the settled magisterial 90s; the bleak, experimental 2000s. A Brookner novel from the 80s seems very different from any of her final works - just as 'James I', 'James II' ...

Her Motto

The critic Andrew Graham-Dixon (see here ) remembers: When I first studied the history of art, at the Courtauld Institute in London, one of my tutors was the formidable Anita Brookner. Her special subject was French painting of the Romantic period, but it was her approach to art in general that I found enlightening, and eye-opening. I remember one of her instructions in particular: 'Always remember, when you're looking at a painting, that every last detail is important: nothing is there by accident.' She said this so often, that I came to think of it as her motto. I recently saw Graham-Dixon lecture on his latest subject, a fresh interpretation of Vermeer. Andrew Graham-Dixon at the event I attended Afterword : Her finest art-critical motto was surely 'Art doesn't love you and cannot console you' (see earlier post here ). I have often considered it as an alternative motto for this blog.

Christopher Hampton's Hotel du Lac

However often I watch it, I'm always surprised. A film of an Anita Brookner novel seems as outlandish as an adaptation of, say, late James. But The Golden Bowl and, more skilfully, The Wings of the Dove have been successfully translated to the screen in recent decades. Their plots, though, underneath the verbiage, are very simple, even sensational. Hotel du Lac , similarly, is one of Brookner's more structured, plotted works. Rights to the novel were bought before its Booker success. Initially Anita Brookner had been approached to write an original screenplay, but she said she wouldn't know how to. Instead she offered the soon-to-be published  Hotel du Lac . (This is revealed in the 2002 commentary that accompanies the DVD of the 1986 TV film. The commentary is a dull, low-powered affair. No Brookner, of course.) Anna Massey plays Edith. I've often found Massey a distractingly distinctive actor. Like Judi Dench she manages somehow, in any role, alwa...

Video Brookner

This mere four-minute piece ( click here for the BBC Archive #OnThisDay feed ) should be top of the list for any Brooknerian, not least because it is, to my knowledge, the only video of the author freely available. Anita Brookner made only rare media appearances. Buried in archives are, I know, a Channel 4 interview with Hermione Lee and a programme (in the 100 Great Paintings series) Brookner made in 1980, still only an art historian, on, I think, Delacroix. We should be gladdened by this marvellous vouchsafement. There she is: stylish and a-swagger; trenchant in her commitment to the truth.

Mr Bennett and Mrs Woolf

In 1924 Virginia Woolf published a pamphlet called 'Mr Bennett and Mrs Brown'. Mrs Brown was a sample fictional character. Woolf imagined conjuring her out of the ether, and the woman's challenge: 'Catch me if you can.' Mr Bennett was the popular novelist Arnold Bennett, representative for Woolf of an older generation of writers. He was famous for a range of novels, especially those set in the 'Five Towns' of the Staffordshire Potteries. 'The foundation of good fiction is character-creating and nothing else': Woolf, apparently approving, quoted these words of Bennett's, only to dismantle them in a fashion that affected his reputation for generations to come. He, along with his confreres Wells and Galsworthy - 'Edwardians' she called them - simply couldn't offer truths about human nature. Only 'Georgians' could, in which camp she placed Mr Lawrence, Mr Forster, Mr Joyce and Mr Eliot. Mrs Woolf too, no doubt. And why? Be...

Brookner Biography Announced

A brief post to let Brooknerians know the moment has arrived: a biography commissioned by Chatto & Windus, to be written by Hermione Lee. Hermione Lee interviewed Brookner on television in the 80s. Brookner joins illustrious company. Lee has lifed, among others, Virginia Woolf and Edith Wharton.

Walking along King's Road

In yesterday's  Telegraph features magazine, Mick Brown was one of the contributors to a piece called 'The celebrities who are actually nice ... and those who aren't' (available here ). Mick Brown interviewed Anita Brookner in 2009 in what was to be her last interview. It is an often-cited exchange and very fine (available behind the Telegraph 's paywall). In Brown's recollection, Brookner was 'one of the most fascinating people I've ever met': '80, pin-neat figure, fragile and watchful'. Her flat, he recalls, was as if preserved in aspic at some point in the 1960s. A few weeks later he glimpsed her from a bus: 'walking along King's Road, head down into the wind'. He wanted to get off and give her a hug. As if inevitably, and probably blessedly, when the bus did stop, Brookner had vanished.

Less Than One Sentence

Like buses, the Brookner mentions come thick and fast. In the 'NB' column of this week's TLS , her book reviewing is wryly celebrated: 'An occasional pleasure in the literary pages: the long book review that shows barely any interest in the book under review'. We learn of a 1976 review Brookner wrote of a biography of George Sand. The review's 3,000 words comprised, the biographer complained, only seven about the book: a contravention, she felt, of 'a literary Trades Description Act'.