Brookner, Stendhal

Although he set out to be a man of letters, he did not in fact write much until the active part of his life was over, and this of course is what sets him apart as a writer: he has the authority of a man whose preoccupations are not exclusively literary and who is informed at all times by memories of the immense experiences behind him.

The Genius of the Future, 1971

Comments

Scott said…

Thank you

10 April 2022 at 04:39

The Brooknerian said…

One senses, as so often when writers write about other writers, that she's really writing only about herself.

10 April 2022 at 04:49

Top Ten Brookner

The much-loved Backlisted podcast ( here ) returns with a 'lockdown' episode that includes a lot of Anita Brookner talk. Prompted by discussion about Hotel du Lac , never the most representative Brookner, the chat meanders pleasantly on to the potential for compiling an Anita Brookner 'Top Ten'. At a loose end myself, though this week at the chalkface entertaining the children of keyworkers, I considered the question myself. I'm sure there are similar such lists elsewhere on this blog - I forget, and I don't particularly want to consult them anyhow. Of course, Brookner - like Henry James, like Trollope, indeed like many prolific authors - passed through phases. Brookner's novels, I contend, fall into three, neatly divided by the decades she wrote in: the raw, vital 80s; the settled magisterial 90s; the bleak, experimental 2000s. A Brookner novel from the 80s seems very different from any of her final works - just as 'James I', 'James II' ...

Brookner Biography Announced

A brief post to let Brooknerians know the moment has arrived: a biography commissioned by Chatto & Windus, to be written by Hermione Lee. Hermione Lee interviewed Brookner on television in the 80s. Brookner joins illustrious company. Lee has lifed, among others, Virginia Woolf and Edith Wharton.

Cousin Henry by Anthony Trollope

It's funny what can put you off a book. Harold Macmillan, it is said, liked to go to bed with a good Trollope, and indeed was often of an afternoon to be found lolling around Downing Street with an old novel. (David Cameron emulated Macmillan - but he called it chillaxing, and Trollope probably wasn't involved.) I once went to a play in London about the Profumo affair, and the Macmillan character waxed patricianly lyrical about Trollope, saying he was currently flicking through Cousin Henry and finding it awfully jolly. I'm a bit of a Trollope fan, or I was once. In fact I've read most of his novels, but some time back. The ones I haven't managed are the early ones ( Castle Richmond and the like) and one or two from the later period that simply haven't appealed. Cousin Henry is one of these. It may be I just find its World's Classics cover slightly repellent. Cousin Henry is one of Trollope's shorter novels. This is actually a point in its di...

Christopher Hampton's Hotel du Lac

However often I watch it, I'm always surprised. A film of an Anita Brookner novel seems as outlandish as an adaptation of, say, late James. But The Golden Bowl and, more skilfully, The Wings of the Dove have been successfully translated to the screen in recent decades. Their plots, though, underneath the verbiage, are very simple, even sensational. Hotel du Lac , similarly, is one of Brookner's more structured, plotted works. Rights to the novel were bought before its Booker success. Initially Anita Brookner had been approached to write an original screenplay, but she said she wouldn't know how to. Instead she offered the soon-to-be published Hotel du Lac . (This is revealed in the 2002 commentary that accompanies the DVD of the 1986 TV film. The commentary is a dull, low-powered affair. No Brookner, of course.) Anna Massey plays Edith. I've often found Massey a distractingly distinctive actor. Like Judi Dench she manages somehow, in any role, alwa...

'Babbling with Brookner': Interview Discovery

Val Hennessey's interview with Anita Brookner in You Magazine, 9 August 1987, marks the publication of Brookner's seventh novel A Friend from England . The piece, 'Babbling with Brookner', anticipates Julian Barnes's warning to a later interviewer: 'You will find yourself babbling'. Hennessey is a fan, Brookner her 'literary heroine'. She once bumped into Brookner outside Waitrose and said embarrassing fannish things. Brookner 'stood shifting uneasily from foot to foot, wide-eyed and fearful, like a trapped hare'. Later they met by chance on a number 14 bus. Both Brookner and Hennessey were shopping for outfits, Brookner for 'something tweedy and dull': she gets off and is seen heading into The Scotch House, a purveyor of quality Scottish clothing. Hennessey phones Brookner to arrange an interview. Brookner expresses alarm and consternation: she finds interviews 'an ordeal'. On arrival Hennessey compliments Brookner on her ...

'...and the forest drooped glimmeringly'

1983's Look at Me finishes with a night walk through London. The walk, which extends over a whole chapter, as if in real time, is harrowing: it's one of the most abject episodes in Brookner. A nocturnal traipse of a different kind occurs towards the end of George Meredith's 1859 novel The Ordeal of Richard Feverel . The hero, as emotionally turbulent as Brookner's protagonist, though for different reasons, moves through a forest in Germany, experiencing everything from dusk to dawn, with a tempest in between. The chapter is satirised in Forster's Howards End (1910). Leonard Bast, visiting the Schlegel sisters, expresses his admiration for Meredith's novel and describes his own emulation of Richard Feverel's night walk. The Schlegels are less enamoured. They know the novel, but find it laughable. They mock, for example, the glimmeringly drooping forest. Such different reactions to a nineteenth-century masterpiece place the characters socially. The sisters, ...

Anecdotally

I last saw [Anita Brookner] in the summer of 2010, when the publisher Carmen Callil brought her to lunch. She was frailer, and needed a stick. I had made potted crab, to which she said she was allergic, to my embarrassment (should I have known?). Instead she took a little cheese, some green salad and a roast tomato; she declined the beetroot. We asked about her life. She said that she went out early every morning to her Sainsbury's Local for 'a croissant, a petit pain and a loaf'. 'Every day, Anita?' 'I eat a lot of bread.' She had been rereading Stefan Zweig and applauded that most Brooknerianly-titled novel Beware of Pity . She agreed with Carmen that the one advantage of age was that the trials of the heart were behind you. She stated that she had no religious feelings or beliefs at all. She still rented her television (no digibox or Freeview), and still smoked eight or 10 cigarettes a day. 'Do you have your first after breakfast, Anita?' 'O...

Verfall einer Familie: Buddenbrooks by Thomas Mann

'I found your address in a letter from your mother to mine; it was tucked between pages 123 and 124 [*] of Buddenbrooks [**] which Mother was reading before she died. I have been unable to read the book since that awful day, but I recently took it down when I asked Doris, my maid, to dust the shelves.' Anita Brookner, The Next Big Thing , ch. 13 (Letter from Fanny Bauer to Julius Herz) Who does not enjoy a family saga? Virginia Woolf, never a populist, had much success with The Years , and Buddenbrooks (1901) remains Thomas Mann's best-loved novel. It covers the years from high Biedermeier 1835 to the very different 1870s in the lives of the Buddenbrook family, a bourgeois*** north-German clan. I've visited Lübeck and the Thomas Mann museum (the ' Buddenbrookhaus ') several times, but in my pre-blogging days, when I took no photographs. But I remember a sedate city, autumn leaves underfoot, and a vaguely marine atmosphere, as of cold seas not too ...

Photo Op #3

The new Penguin paperback edition of Strangers (2009), with its introduction by Tessa Hadley (see here ) and its thick gatefold or French fold cover, is an opulent affair. Oddly, its livery is distinct from other recent reissues, instead mimicking an earlier version of Hotel du Lac . Of interest is the inclusion of an author photograph. It's a shot from a 1986 set by Peter Jordan. It's the session where Brookner sits at her dining table, a book open before her, bookshelves and peace lilies behind. She wears an open-necked cream blouse and a small wristwatch. Other shots from the session show Brookner holding her neck, leaning her chin on her hands, folding her arms, smiling, turning aside. The one chosen for Strangers is suitably equivocal - folded arms, slight turn of the head, left eyebrow slightly more raised than normal, downward-angled lips. It's the first time a photo of Brookner has appeared on a British edition since the hardback of Visitors in 1997, the last und...

Vastations

The skill with which John Banville deploys Jamesian vocabulary and syntax in his recent James-inspired novel Mrs Osmond (2017) is constantly stimulating and often brings a smile to the grateful reader's lips. It is the principle pleasure of the book. I'm interested by Banville's use of the word 'vastation', meaning spiritual emptying. Has he been reading Brookner? Brookner uses the word in her novel Visitors (1997) . A character lies sunk in an armchair, as though subject to a 'Jamesian vastation'. In a review in 2005 of Hilary Mantel's Beyond Black , Banville refers to Mantel experiencing 'by her own account' a Jamesian vastation at the age of seven. I cannot date Mantel's account. But Henry James doesn't use the word (though in Notes of a Son and Brother we read of the author being 'vastated of my natural vigour'). ('Vastation' in fact derives from the work of Emanuel Swedenborg, the Swedish mystic to whose do...

The Brooknerian

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