The Brooknerian

In Brookner's  Hotel du Lac Edith Hope picks up a volume of short stories, the 'beautifully named' Ces plaisirs, qu’on nomme, à la légère, physiques . Colette, she reflects, will see her through: 'that sly old fox'. Asked by John Haffenden whether Colette's book had significance for her, Brookner replied, 'Only the title.' It was Colette's extreme adamantine viability that attracted her. She admired the author as all the characters in her own fiction flock to those on whom the gods smile and who have the gift of living successfully. Colette's 'virility', her 'innocent' sensuality, are themes in Brookner's piece in the  Observer  in March 1991 on Herbert Lottman's biography of the writer. But as ever with Brookner's reviews of such works, some hesitation is evident as to the validity or even the decency of the art of biography: Her life is contained in all her works, where it is described with exquisite discretio...