For so apparently metropolitan a writer suburbia exerts a curious lure. Lewis Percy was Brookner's explicitly 'suburban novel'. In other works - Visitors - the areas beyond the centre are foci for nostalgia and a sense of lost authenticity. In A Private View , Bland's London home, by comparison with his dreams of the past, seems 'flimsy, meretricious, unconvincing'. The encounters with Katy Gibb in her differing guises - hippy, waif, courtesan - crackle with energy. Brookner hates her but is fascinated. The private view is under way. Reading Brookner is an education in looking. Some might say she interprets too much from characters' outward appearances. But one would counter-argue that Brookner the art critic is at work - looking, looking, looking, and missing nothing. As a child, she said, she was very good at looking. Bland isn't Brookner, but she sneaks in little details. He has, for example, large hands. Anita Brookner, one notices, also had l...
'I suppose what one wants really is ideal company and books are ideal company.'